Thursday, July 29, 2010

My interview with Steven Weisz for Philadelphia Dance Journal


by Steven Weisz for The Dance Journal

Steve: Charles, you seem to have your hands in to so many areas of dance and the performing arts, I am not sure even where to begin. I know you are a Philadelphia native and went to West Catholic High School and then on to Temple University, but perhaps you can tell us a bit more about your background…

Charles: I was a music major in high school. I played the clarinet. I had aspirations of becoming a classical performer with the Philadelphia Orchestra who dabbled in jazz on the side. (hee hee.) My first dance steps took the form of copying the choreography in Janet Jackson’s “Rhythm Nation” video when I was fourteen. (Excuse while I date myself.) Once I got that down, I tackled any video with any choreography in it. Especially Janet and Michael Jackson! To this day, if you want to learn MJ or Janet ‘ography, you can ask me! J

I continued music at Temple University until I realized how badly I suck at music theory (very badly.) So I started exploring other options, looking for something that I could see myself doing that I knew would make me happy. That’s how I ended up with dance. I had zero training when I auditioned for Temple’s dance department and didn’t get accepted. My ego kicked in and I took NOTHING but dance classes the next year and re-auditioned.

I absorbed everything all at once (modern, jazz, ballet, African dance,) which I think contributes to my crazy, mixed up choreographic style!

Steve: You are both the Artistic Director as well as the curator for the ETC Series. Can you tell us a bit more how this came about, what your goals for the program are, what kind of response you have had and where you see the program going in the future?

Charles: The Bald Mermaids curated the GLUE Performance Series from the 90’s to about ’03. Then, their lives started getting grander (husbands, kids, new homes, careers, etc.) and GLUE got kind of laid to rest. I didn’t realize what a strong impact GLUE had on performing artists as an incubator for their work until it was gone!

I was working at the University City Arts League doing promotional work and graphic design. We were sitting around discussing ways to get new faces into the Arts League and I got the idea of starting a performance series. I used GLUE as my model because it was so successful. I decided to call it the ETC. Performance Series (dance, theater, music, etc.) I sent out a call for artists and we held it in the second floor front dance studio, the biggest one they had. That first season, we played host to SHARP dance company, Annex Dance, VADA, the PREMIERE of Eng & Friends (then called Twins & Friends) and so many others, plus actors and musicians and all kinds of cool stuff! The audiences were getting so big I was beginning to worry about keeping it at the Arts League.

Luckily, the Arts League got a new director, who fired me just as I was having these concerns. I called Terri Shockley at the Community Education Center who was aware of and impressed by the reputation of the first season. She was more than happy to start up a partnership. And this June we will be closing out third successful season!

I’m very proud and pleased to be able to provide audiences for so many talented artists. I’m also very glad to be doing it at the CEC, which as an artist has been a warm comfortable home for my own creativity (my company held its debut concert at the CEC.)

ETC. is continuing to grow. I did the math and we play host to more than forty artists a season! I have been getting inquiries from artists outside the Philadelphia area. Danielle Selby, an artist from upstate New York presented in April and I was recently contacted by a dancer who will be coming from ISRAEL!

I would like the series to be viewed as a forum where, as long as you view yourself a performing artist with something to say, we give you a place to say it. It doesn’t matter if you are just starting out or have an established following, you’re welcome to share with us. The only rules I enforce, and I state these at the start of every show: 1) you can’t start any fires 2) you can’t break any laws…other than that, for up to fifteen minutes, the stage is yours!

Steve: You are also a founding member of Indigenous Pitch Dance Collective. Can you tell us a bit more about your involvement. Also, I know that IPDC is very involved in the community and working with children, please elaborate on some of your more current projects.

Charles: IndiPitch was founded in 2005 by Artistic Director Lisa Welsh. We’re a collective of four dance companies: Underground DanceWorks, Illadelphlave, Stephen Welsh/SWERVE and Shift Dance Compnay. We do performances every year and each company presents new work. We also have an outreach component. For the past four years, we have been going to New Orleans to give free dance camps for the kids there in the summer to promote a healing release from the trauma permeating the area. The first year, we were each asked what we would want to teach. I had just finished watching the documentary “When The Levees Broke” about Hurricane Katrina. The stories about the families being displaced in the aftermath of the storm struck a strong chord with me. The first thing I thought of was slavery and the auction block, when Africans were sold off, families broken up and identities stripped. I decided to teach African dance and storytelling because if we don’t know where we came from, we don’t know where we are and damn sure can’t know where we’re going. The class has been a highlight each year!

Currently, IndiPitch is preparing for another summer in New Orleans and a trip to Haiti where we have been invited by the Christian University of Northern Haiti to bring the camp to their kids. We just finished our second year providing a camp for kids in North Philly. Performance-wise, we were chosen to participate in the International Arts Festival in 2011, so we’re gearing up for a fabulous performance at the Kimmel Center!



Steve: You also have your own company, Underground DanceWorks, which you are both Artistic Director and choreographer. Can you tell us a bit more about what you are currently working on.

Charles: UDW is celebrating our ten year anniversary this year. We’ve been busy! Currently we are finishing up our newest work “Transitional Period.” For the CEC’s New Edge Mix performance May 14-16. The work stems from, as Terri Shockley calls it my “mid-career crisis.” I’m trying so many things and setting so many goals I constantly feel in a state of flux. For years I identified solely as a dancer. But as I add new components, that identity has been left in favor of director, producer, choreographer, etc.

I pondered that change for a while. I then realized that great change is like a death. So an underlying element of “Transitional Period” is the five stages of dying: anger, denial, bargaining depression and acceptance.

Steve: I know there is quite a bit I have probably left out in your roles for so many groups as stage manager, lighting designer, public relations manager, choreographer. Is there anything else you would like to add?

Charles: Actor, writer, filmmaker, comedian.

Steve: Lastly, what is your vision of dance in Philadelphia?

Charles: Philadelphia is a strong center for dance. I didn’t realize how innovative Philadelphians are until I’d seen dancers from elsewhere do certain things and realize that I’d seen it done better in Philly! I like the fact that we are more substantial with our art and aren’t willing to settle for simple flash and dazzle. And when we do flash and dazzle, there’s an intelligence behind it. I’m actually curious myself to see what the future holds for Philadelphia dance. I’m also excited to have a role in its forward momentum!

Monday, May 10, 2010

The Cosby Show S1 Ep24 Cliff's Birthday

"Transitional Period" will premiere May 14-16 2010 at the Community Education Center (CEC) - Philadelphia, PA

Choreographed and written by: Charles Tyson, Jr.
Performers: Jennifer Cybulski, Melanie Haber, Eisa Jackson, Crystal Taylor and Charles Tyson, Jr.

Sunday, May 9, 2010

"Paranoid Reality" - written by Charles Tyson, Jr.



Jackson knew there was something odd from the moment he woke up that morning. He couldn’t be sure but he could have sworn that flash bulbs kept going off outside his window while he slept through the night. But every time he would go to the window to check, there would be nothing there. This was simultaneously strange and not so, especially considering the fact that his bedroom was on the third floor of the house.

Not to mention all morning he had the feeling of being watched. No, not watched…more like observed. He couldn’t exactly explain where this feeling was coming from. But, as impossible, crazy and delusional as it was, he could have sworn that he saw someone with a camera ducking down behind the toilet the second he focused his peripheral vision on his mirrored reflection as he was brushing his teeth that morning. At first he refused to check because that would just be succumbing to his little delusion that he knew was false anyway.

He also knew that he had to check. Simply had to! And needless to say there was no one there when he did look. Jackson wasn’t sure which was the more frightening idea: the fact that he went through the trouble of looking behind the toilet or the possibility of actually finding someone there.

When he turned the television on to watch the news over his cereal, toast and coffee, the perfectly straight, white smile of the immaculately coiffed and groomed anchorperson seemed especially piercing. It was as if they were looking directly at him instead of the camera-created fourth wall. Get it together, man he thought to himself. You’ve had these conversations with Dr. Shrink before. You’re not that important…no one is watching you, right? RIGHT?! Right. Of course! But maybe a quick call to the good doctor might not be a bad idea. Then he could go to work with a clearer head.

He dialed the personal number to Dr. Shrink that he was admonished to utilize only in the case of emergencies. As he was dialing, Jackson began to second-guess himself as to whether this qualified as an actual emergency. Suddenly there was the definite whine of a camera being rewound immediately followed by a rustling in the bushes outside of his window. That’s it! I am NOT going to look out that window! He gave himself an inner hi-five and continued dialing the number to the good doctor.

“Dr. Shrink’s office how can I help you?”

“Um…hi. Jackson Carmichael. I really need to speak to the Dr. ASAP if you please.”

“Sure Mr. Carmichael. He‘s been expecting your call. I’ll connect you to his line right away.”

“Th--ank…wha-?” but the clicks of the transfer sounded in his ear before he could get his confused utterance past his lips. How could the doctor be expecting his call when Jackson himself didn’t even know he was going to be calling until about five minutes ago?

Then Dr. Shrink’s jovial voice came on the line.

“Jackson! How are you this morning?” He sounded awfully cheery for having received an early morning emergency call from a patient who may or may not have bounced the check from his last session.

“Well, Doc, that’s the thing. I’m not exactly sure how I am. Everything is the same except I feel like I’m being watched. And not like what we talked about before. I feel like EVERYBODY is watching me. EVERYBODY, EVERYWHERE. I tried telling myself that I was being silly and I kind of listened to myself but could you just…I dunno…”

Jackson couldn’t be sure but he could have sworn that he heard a muffled chuckling coming from the other end of the line.

“Dr.?”

“Yes, Jackson, I’m here. I can basically sum up your situation with one sentence. And then I can send you out on your day with a fresh and proper perspective.”

“Great! And what’s that?” Jackson noticed that he was sweating. He was going to have to change his shirt. There was no way he was going to be able to go to work with these sweat stains under his armpits.

“Okay. Here goes.” Jackson could almost hear Dr. Shrink leaning conspiratorially into the phone. “Just because you are paranoid doesn’t mean they’re not after you.” And with that he began chuckling menacingly and hung up. Jackson sat there gripping the phone with his jaw dropped open even as the phone wah-wah-wah-ed its dead connection signal into his ear.

After about five minutes of slack-jawed gaping, Jackson wiped the drool from his chin and hung up the phone. What in the figgity-fuck is going on today? Jackson was sincerely trying to figure out if it was him or the rest of the world that was going bonkers. Then there was the yet-unheard-of third option. Maybe we’re all going crazy together.

Somehow that would make him feel better…though not much. Fuck it, he may as well just go ahead on to work and hope for the best.

As he walked from the house to the car, he noticed all of his neighbors were outside all at the same time. Watering things, washing things, fixing things. Even the children were out this early playing with this or building that. Rather odd for a Wednesday morning in October. Did no one have to go to work besides him today? Did none of the children have to be in school? Oh well…whatever.

He tried to convince himself that they weren’t keeping one eye on him and one on their “tasks.” If I keep this up much longer I’m going to end up doing something foolish. I see it coming. I’ve got to get a grip. And with that he took a deep breath, let it out and got in his car.

No, he did not hear his name on any of the three stations he turned to on the radio. No, the car behind him was not following him from his house. No, the person driving in the lane opposite him was not looking at him as he picked his nose. And the cop car on his other side was not even thinking about him! No, NO, NO! Jackson was going to have a normal day today if it killed him.

On the rest of the drive to work he busied his mind with thoughts of past sessions with Dr. Shrink. "Extreme preoccupation with self." "Societal anxiety." All things that could be taken care of with time and patience. He just had to remember that. He was normal. Everything and everyone else was normal. The world was not out to get him. People actually like him. Enjoy his company, even. He was a nice enough guy. Smart. Even funny sometimes. An art and music lover. He’d even been complimented on what a snappy dresser he was.

So you see, if it feels as though people are looking at you, it is not because they are out to get you. Or after you. It must be one of those positive things, right? Right. Exactly. So just get your ass to work, do another good day’s work and continue to life as usual, right? So what if that car that’s been behind you all this time is one of those news vans? I’m sure there’s some really interesting news event happening somewhere else in the community that has nothing to do with you. Why would it concern you? It wouldn’t. You’re not that important. Really, you’re not.

He pulled into the parking lot of the advertising agency, parked and got out of the car. Halfway to the building, the lock on his briefcase snapped and all his files and accounts spilled out onto the concrete. He was able to gather up almost everything before a breeze kicked up and carried the Anderson account files dancing merrily up the sidewalk.

Swearing profusely under his breath he chased the seven or eight rather important documents for eighteen steps. The nineteenth step landed on the papers themselves, securing them to the ground to be deposited in his precariously held briefcase. Well, the whole point of changing my shirt has now been negated Jackson whined inwardly. At least no one saw that little escapade. For once this morning I’m sure no one was watching.

After gathering his belongings, his composure and the remaining three shreds of his dignity, he straightened up to finally go inside. If you asked him he probably wouldn’t have been able to tell you why he chose to look up at the office windows on the thirteenth floor, but he did. And he saw six sets of venetian blinds dropping back into place at the same time. It was as if six pairs of eyes were trying to keep from being noticed as their owners spied on someone (like him)…or almost like that because of course that was NOT what was happening, right? Right.

Whatever. I’m not even entertaining the thought. Nope. Not even for a second.

And with that he went inside with his head held as high as he could…without actually drawing attention to himself, of course. As he walked through the lobby to the elevator, Jackson kept telling himself that people were not snickering at him and his broken briefcase that he was clutching to his chest like a teenage girl holding her schoolbooks to her bosom as she walked down the hallways of her alma mater. Just like the people on the elevator didn’t stop their seemingly spirited conversations simultaneously as Jackson entered. Just like his coworkers were not pointing at him and whispering about him to each other as he walked to his office. Jackson had never been so happy to be in the confines of his corner office as he was at that moment.

He locked the door to his office and, with a sigh of relief, plopped down in his swiveling armchair behind his immaculately finished and polished teakwood desk in front of the large picture window with the incredible view of downtown. All those people walking around down there, Jackson thought as he soaked in the view breathing heavily. I wonder what they’re thinking about me...stop thinking crazy thoughts! But he could not. It wasn’t until he went into his closet, assembled and loaded his semiautomatic personal assault rifle, replaced it on the closet’s top shelf and closed the door that he was able to stop his hyperventilating. His heart immediately slowed its trip hammer pace almost the very second the mingled aromas of gun oil and gunpowder wafted to his nostrils. An eerily calm and pleasant smile crept across Jackson’s lips and he finally sat down to do a good day’s work.

Mr. Lincoln, Jackson’s boss, had been thinking about Jackson for some time now. He had been monitoring the way Jackson had been handling his clients lately. His efficiency and creativity blended well together and resulted in a string of big money accounts being easily acquired through their firm. He always knew there was something special about that Carmichael kid. Sure he was a bit quirky and tended to be a little high-strung, but hey, who wasn’t from time to time, right? Besides, results were results and the bottom line was the bottom line and this kid delivered. There was going to be room for a new Advertising VP once Wanamaker transferred to the Milwaukee office and right now, Mr. Lincoln couldn’t think of a better person to groom for the position. He had noticed Carmichael seemed a little out of it this morning. He thought that maybe this news would be just the pick-me-up that he needed. He would even go one better, he would go to the kid’s office and deliver the news personally! How’s THAT for an ego booster?

Jackson was finally settling into a nice little groove. After cleaning his footprints from the Anderson file, he was able to put all the specs in order and have it sent on its way…a full three days ahead of schedule! He had just started in on the Mandalay, Inc. account when the knock landed on his door. What, is the secretary out to lunch? I don’t get a buzz before someone gets to my office door anymore? He could feel the cold fingers of paranoia tickling his brain but Jackson shooed them away as quickly as they came. So what? She’s allowed to feed herself just like everyone else…even though it is only…10:30…hmmmm...

"Yeees? Come in?”

Mr. Lincoln entered his office smiling down at Jackson with a knowing secretive smile that Jackson wasn’t sure he liked.

“Mr. Lincoln? What brings you down this way?” Jackson was very impressed with the lack of tremor in his voice.

"Well, Carmichael. I’ve got some news for you. You’ve been with our firm for four years now. You do good work. And I just wanted to let you know-" Lincoln cleared his throat, smiled even wider and leaned in to his ol’ buddy Carmichael to drop the bomb on him, "We’ve been watching you for some time and-"

That did it! That was all the confirmation Jackson needed! He was not crazy! They were watching him. He even got a confession from Lincoln himself! And “for some time now,” he said! Something immediately snapped in Jackson’s mind. Something ultimate and irreversible. He jumped up from his desk and pointed an accusatory finger in Lincoln’s face.

“THAT’S IT! I KNEW IT! Well NO MORE!!! Stop looking at me! I’m not that important! Stop looking at meeeee!!!

The stunned Lincoln plopped down in the visitor’s chair that, luckily, was right behind him. Carmichael’s outburst knocked the wind from him. This was definitely not the response he was expecting to receive…hell, he hadn’t even delivered the news yet…or had he?

Jackson continued screaming as he made his way over to the closet and pulled out the semi-automatic personal assault rifle and pointed it at Lincoln. He didn’t stop screaming even as he pulled the trigger and vaporized his boss’s face into a red and black, smoking, dripping mess.

Everyone out on the main floor was now standing up at their desk and staring in the direction of Jackson Carmichael’s office. Many of them saw Mr. Lincoln walking through their area (something he rarely did) and heading toward Carmichael’s corner office (for which many of the corporate suck-ups envied Jackson.) Many of these same coworkers heard Mr. Lincoln knock before entering the office (which he NEVER did...he owned this entire building and everyone in it…knock?! Please!) So everyone automatically figured this was either something really good or really bad!

Lincoln’s crossing of the work floor was dismissed for a moment in favor of impending deadlines and last minute phone calls concerning multi-million dollar campaigns until Jackson’s voice rang through the entire floor through that big oak door leading to the inner sanctum of his office. “THAT’S IT!” and then “STOP LOOKING AT MEEEEEE!” Then the loud, rapid stutter-bang of gunfire.

Suddenly Jackson Carmichael burst from his office. His crisp pink shirt and dark print tie were spattered with blood. He was carrying a smoking rifle and wearing an insane expression. His maniacal gaze swept across the room at all the frozen staring faces. Staring…staring at him. No one moved, not even when he brought the rifle down again toward them. “Everyone. Stop. LOOKING. AT. ME!!!!!”

Jackson once again pulled the trigger and began pumping rounds into the faces of every gawking sheep he saw. The sight of their fellow flock members--er, coworkers being blown away cut through the shock and people scattered and dove for cover…not that it really did them any good. At least one person got the chance to phone 911 before Jackson found them. The last thing many of them heard before they died was Jackson’s plea to remove their gaze from his person. Under more normal circumstances the very idea of this would be humorous considering that many of these people had never met Carmichael and due to his insanely busy schedule had never even laid an eye on him before today.

After Jackson had cleansed the office of the piercing gazes of the “lookee-loos” he worked with, he returned to his office, thinking that maybe now he could finally get some work done! No sooner had he sat down and made another attempt to tackle Mandalay Inc. than the sirens sounded from the street below. At first, Jackson ignored them but the sounds grew louder and were joined by that of many tires screeching to a halt and excited people milling about.

Jackson went to the window and looked down at about fifteen police cars and at least one news vehicle from every network, including the very one that he thought was tailing him this morning!

“NO!” Jackson bellowed. “I just want to work in peace! I’m not that important! Stop looking at me!!!” He picked up the rifle, checked the magazine and shot out the window. He ducked down beneath the sill and reloaded, listening to the sounds of the screams from below as the shards of falling safety glass were hopefully plucking out an eye or three. Then like a psychotic jack(son)-in-a-box, he popped up, socked the rifle against his shoulder and began picking off every sheep he saw, cop, pedestrian and newsperson alike, all the while uttering his now infamous battle cry, “STOP LOOKING AT ME! NOT THAT IMPORTANT!!!” As he was vaporizing “lookee-loos,” his mind returned to Dr. Shrink’s sessions and the terms that were repeated in them: "egomaniacal outbursts…paranoid delusions…"well whatever. Once I get rid of them all there will be just me…only me…I don’t mind looking at myself! But not them! Not That Important! Stop Looking!

Tuesday, February 16, 2010

http://www.huffingtonpost.com/2010/02/16/the-7-craziest-game-show_n_462828.html

Monday, August 10, 2009



This work is no longer being presented in the Philadelphia Fringe Festival, but WILL be premiered October 2 & 3 at Temple University's Alumni Showcase...so dry your tears, people! :)